Currently developing software, hardware, and games with AI & decentralized systems.
Agentic home + business assistant; iPad/iPhone control bridge, local or cloud inference.
Decentralized publishing + archival for durable distribution and credibility signaling.
Software, hardware, and games with AI & decentralized systems.
Recruited by Arweave, Akash, Livepeer & The Graph to to found a nonprofit to advocate for web3 infrastructure and establish the DePIN sector.
Produced educational, social, podcast & live content:
Organized the DISCO Summit in partnership with Keiretsu, bringing together crypto and AI teams.
Drafted the Network Token definition used in then-Senator JD Vance's 2024 cryptocurrency bill & Montana State Bill 265, passed in 2025. Provided education to legislators, regulators & staffers at every level.
"One of the best resources I know for how we want the decentralized internet to take shape."
Invented a peer-to-peer specification for a public space for the internet. Initially known as The Decentralized Library of Alexandria, later renamed Open Index Protocol, it's been used for content indexing, distribution & monetization by Imogen Heap, Caltech, Overstock subsidiary Medici Land Governance, the State of Wyoming, MENA's largest independent news platform, Streambed Media & others.
"This is thrilling" — Sir Tim Berners-Lee, dWeb Summit 2016
Designed a top-rated iPad accessory on apple.com, but struggled to make overseas manufacturing align with my values. Switched to local manufacturing with sustainable materials and priced ourselves out of the market.
Marketing videos were a hit, though.
Compositing, motion graphics, post supervisor & VFX on Oscar & Emmy award winners. Front row seat as post production houses went bankrupt and the industry moved offshore.
The Jim Henson Company (3D Lighting/Compositing/Post-Production Pipeline, Sid the Science Kid); digital compositing for major features (The Curious Case of Benjamin Button, 2012, The Ugly Truth); motion graphics / 3D for unscripted TV.
Also worked with GunMetal Group as a military advisor and on-camera when productions needed authentic tactics, posture, and terminology. Featured on two CBS television shows.
Learned some hard truths about the politics around why the war in Iraq was still on-going and produced a PSA asking President Obama to 'End the War Now' that aired in cities across the US during his inauguration; with the miniscule budget that the anti war non profit I was working with had available, this required convincing the Flobots to license their song for free, a VFX post house to donate their time, Beau Weaver (the "trailer voice guy") to work for free and NBC to provide a discounted rate for the broadcast. Is this a contradiction to the pride I have for my time in the Marine Corps? Perhaps it's got more to do with the duality of man... the Jungian thing.
Became a Marine two weeks before 9/11. Invasion of Iraq in 2003, got shot at a little bit, blew some stuff up. Deployed to the Horn of Africa & stood watch in 140°+ temps in 2006.
These experiences still inform how I think about technology, policy, and who benefits from the systems we build.
One of the first "Creatives"—taught Final Cut Pro and Shake to Apple employees in Cupertino, opened two stores, and worked Apple's booth at NAB and at MacWorld after a Steve Jobs keynote. Top sales at my store ("Million Dollar Club"). Created internal training and hype videos.
Starry-eyed teenager obsessed with the new digital video format. Created one of the first Star Wars fan films. I was the first outside of ILM to turn metal pipes into lightsabers and taught many others in the fan film community how to do it—helping catalyze early fan-film momentum on the web.
PTH was one of the earliest Star Wars fan films. Shot on Sony's first mini DV camera, the VX1000, cut on Final Cut Pro 1.0, built the VFX from scratch. Went to boot camp before it was finished and the project was lost while I was away. So in 2004, I shot a new version with Sony's first HDV camera, the HVX1000.